Water Colors


Picasso’s Blue Period
Martin Willitts, Jr.

Near the triangle sand dunes
Picasso held a sun umbrella shading his mistress,
her hibiscus bathing suit dry as a coconut shell.
She stopped abruptly: “How blue the ocean is.”

What a peasant interpretation of color!
Didn’t she know there are many shades of blue?

Her hands were blue crabs on a coloring book,
shifting side to side, filling in solid colors.
Her brown eyes had blue flecks in their irises.
Her snapdragon lips had hints of periwinkles.
Even her raspberry freckles had rings of indigo.

Across the channel, London had grey-brown fog
mixed in light-blue rain falling mutely on cobblestones.

If he bit her lip, it would bruise cobalt blue.
Her neck veins throbbed a tattoo of blue, blue, blue.
She was still prattling about the shockingly blue sky.
Couldn’t she see the ocean and sky were more colors?
Nothing is totally one color. Even grass has blueness.

Shadows of the footprints in the sand were powder-puff blue.
The seagull wingtips flash blue, blue, blue,
buoys rock in the cradle of blue-white wave-crests.
A shrimp boat captain removes greenish-blue seaweed.
Everything is blue as Picasso’s clenched, frustrated knuckles.


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Martin Willitts, Jr., has recent poems in hotmetalpress.net, haigaonline.com, threelightsgallery.com, Survivor’s Review, and other venues. His book of poems and artwork, The Secret Language of the Universe, is available from March Street Press. He won the 2007 Chenango Country Council of the Arts Individual Artist Award and as part of the grant is editing a poetry anthology about cancer.  He is a prison librarian for the New York State Department of Corrections and lives in Norwich, New York.

 

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